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 Much was written about Will Ferrell's first "dramatic role" as Harold Crick, an IRS auditor who begins hearing a voice narrating his life. But Stranger Than Fiction is hardly a drama. However, what Ferrell does--like Jim Carrey before him in The Truman Show--is handle a toned-down character with genuineness and affection: you believe he is this guy. Crick leads a lonely life filled with numbers and routines. While at first he considers the voice a nuisance, Crick decides more action is needed when it speaks of "his demise." Enter Professor Jules Hilbert (Dustin Hoffman), who takes on the absurd notion with revelry, trying to find out what kind of book Crick's life is leading. It turns out that the voice Crick is hearing belongs to Kay Eiffel (Emma Thompson), a very real--and troubled--author who is writing a book in which Crick is a fictional character. As usual with these things, the stuffed shirt learns to live a better life--Crick even falls for one of his audits, a brash baker named Ana (Maggie Gyllenhaal). Marc Foster (Monster's Ball, Finding Neverland) has the right tone for the film, using great urban scenes (the unnamed city is Chicago) with interesting visualizations of Crick's world of numbers. He also directs Ferrell, Hoffman, and Gyllenhaal to their most charming performances (plus Linda Hunt and Tom Hulce pop up in two funny scenes). Ferrell succeeds in being a romantic lead you can root for; a scene where he eats Ana's freshly baked cookies is totally delightful without a hint of sarcasm. Screenwriter Zach Helm has two personal traits with his story: like Crick he followed his heart (he stopped rewriting scripts and only worked on his own) and like Eiffel, the final results are not a masterpiece, but good, and entertaining enough. Britt Daniel of the band Spoon worked on the dynamite soundtrack.--Doug Thomas
Beyond Stranger Than Fiction on Amazon.com
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Get the Deep-Woods Off! It's a mosquito the size of a German shepherd, armed with a proboscis as big around as a carrot, which it jabs into various eye sockets, chests, thighs, and even butt-cheeks! When a UFO crashes into a swamp, swarms of these mutated, oversized bugs go out looking for victims. A hapless couple smacks one of the outsized insects (filled with what appears to be stewed tomatoes and cranberry sauce) with their car, disabling the auto and leaving them stranded. They soon hook up with a government scientist, run afoul of two half-wit militia types, commandeer an RV, and make a break for it. The uneasy allies eventually make it to a farmhouse where they board up the windows à la Night of the Living Dead (or Assault on Precinct 13) to make a last stand against the marauding bloodsuckers. If it all sounds goofy, that's because it is. On the downside, the dialogue is rotten and the acting is all rather casual (except for the scientist, whose overacting makes up for the rest of the cast's slack performances). On the upside, there's no cheesy computer animation; it's all done with cheesy '60s-style miniatures and puppets instead. Horror fans will recognize Gunnar Hansen, Texas Chainsaw Massacre's Leatherface; he's even given a chance to do battle with the bloodthirsty bugs with his old weapon of choice, a 24-inch Homelite! Also, rock fans should notice Stooges guitarist Ron Asheton! Just don't take this big-bug saga too seriously (nobody involved does), keep an eye out for boom-mic shadows, shut down a few sections of your brain, and go with it. After all, this is the kind of movie that would have made it big on the drive-in circuit some 30 years ago. --Jerry Renshaw |
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